Tag Archives: chord

Hip-hop, blues rock you name it and the C minor’s got it – chord of the week

This week we tune into the C minor. Wait, there no reason to be sad. Minor is not always a synonym for tearjerkers and sad songs, on the contrary. From hip-hop to blues and pop, our chord of the week fits everywhere – and everywhere in between. It’s an honor, and a real pleasure to present to you: the C minor (Cm).

Our chord of the week is – not surprisingly – build up out of notes from the Cm scale, which consists of C, D, Eb, F, G, Ab, and Bb. You might recall, from other blog posts, that the notes from a scale often appear as chords in compositions. But enough theory. Time for action!

Since I’ve Been Loving You – Led Zeppelin

Let’s start with a classic. “Since I’ve Been Loving You” by Led Zeppelin is an example of a song in which blues and rock converge, and it’s written in Cm. The track is a nice crossover between seventies rock and the fertile ground from which this genre originated: the blues.

The song starts with a solo by Jimmy Page. The accompanying melody immediately covers the entire spectrum of the basic tones of the Cm scale – it passes through C, Eb, F, G, Ab – and variations thereupon, that follow each other in quick succession. As such, this song is a good exercise for the advanced beginner.

Skyfall – Adele

We all know the sweet soulful voice of Shirley Bassey that symbolizes the sound of the first Bond movies. ‘No diva can beat that’, you might say, although Adele will certainly come close with “Skyfall”.

The verse of “Skyfall” consists of Cm, F, Fm, Gm, and Ab. The chorus is extended with a D and an Eb. Don’t be put off by the fast succession of chords, rather make it easy for yourself by cutting the song into pieces. First practice only the verse, and then only the chorus. Use the loop function for this. This way you don’t have to rewind each time.

Rich Bitch – Die Antwoord

We promised you pop and hip-hop, and if we promise something, we deliver on it. Die Antwoord is one of the most controversial hip-hop acts of the moment, and this South African duo is anything but boring, as we can hear in the track “Rich Bitch.

This song is suitable for the beginner who is up for an experiment. The chord scheme is not very difficult since it only consists of two triads: Cm and Fm. Diversions to Gm and D are good for some variation. Play this song in a jam and see if your audience recognizes it.

Africa – Weezer

“Rich Bitch” may not fly at your grandmother’s birthday party, but you can lighten the mood with this classic song in a new look. Weezer made a quite literal cover of the Toto song “Africa“. The track is exactly the same as the original, with the only difference that it is set in Cm instead of C#m.

This track is a challenge, even for the advanced guitarist. If you thought “Since I’ve Been Loving You” has a fast chord progression, then the pace at which the triads in this song follow each other may feel like warp speed. Of course, nothing is impossible. Use the loop function and cut the song into pieces, it will become much easier to comprehend. Happy jamming!

Rapper Juice WRLD addresses the elephant in the room with new video Lean Wit Me

Rapper Juice WRLD is only 19 years old and one of the first of his generation to address the elephant in the room; casualties of drug abuse. Last year rapper Lil Peep died from an accidental overdose. But the 21-year-old artist isn’t the only one to bite the dust after abusing substances. Too many legends left this world too early due to drug abuse, according to Juice WRLD.

Michael Jackson, Prince and Ike Turner are just a few examples of top-notch artists that died after intentionally or unintentionally taking drugs. The track “Lean Wit Me” by Juice WRLD is about them and, maybe more important, about the new generation that experiments with different kinds of substances like Xanax and Fentanyl.

Lean Wit Me

In his new video, released on August 2, we hear Juice WRLD’s message loud and clear: if you have a problem don’t be afraid to ask for help before it’s too late. The track starts off with a catchy guitar tune written in the key of E. We see the rapper talking about his problems in a meeting where the twelve steps (an addiction recovery program) are mentioned.

The video ends with Juice WRLD getting arrested after he calls the police telling them that his girlfriend has overdosed. The last shot shows the text: “RIP to too many young legends that left us early. If you or somebody you know is suffering from addiction call 1-800-662-HELP to take the first step.”

Goodbye & Good Riddance

“Lean Wit Me” is a single from the rapper’s debut album Goodbye & Good Riddance, which you can check below. Juice WRLD released the record in March after which it reached number six in the Billboard 200. If you like jamming along with “Lean Wit Me” also check out the rapper’s other single “Lucid Dreams.” Happy jamming!

Warning! The versatility of the Dm can make you dizzy – chord of the week

This week we’ll discuss one of the most mysterious triads you can play at the top of the neck of your guitar. The D minor has something sad, something exciting, something tough and something scary in its sound. Therefore, it lends itself to many styles. From pop and rap to metal and folk, the Dm covers it all.

Our chord of the week is versatile, so take advantage of it by including some of the songs below in your jam. They’re not necessarily the easiest tracks, but a little challenge every now and then is good for your skills.

Fear of the Dark – Iron Maiden

Fear of the Dark by British metal band Iron Maiden is a classic; from the intro, on which the bass guitarist plucks a Dm, to the dramatic end. Due to the technical nature of the metal genre, a song like this sounds difficult, but nothing could be further from the truth. When we look at the chord progression of this track we quickly see that it mainly consists of the basic chords Am, C, F, G, E, D, Em and of course the Dm.

The Bb, the Fm and the Gm seem to be the more difficult chords, at first glance. If you look closely though, you see that these barre chords have almost the same finger placement. The only difference is that they are performed on a different position on the neck. With this in mind the level is not as difficult as it seems. But you really have to practice.

Chan Chan – Buena Vista Social Club

The hit single “Chan Chan” performed by the legendary musicians of Buena Vista Social Club is a nice track for the sultry summer evenings. The song is very laid-back and has a less predictable chord progression than many other pop songs.

Use this track to practice your basic chords and for training your motor skills, because there are a few quick transitions between Dm and G and Dm and F. Make sure that your grip doesn’t soften and that the triads sound bright and clear.

All Eyez on Me – 2Pac

Did we say how multifaceted the Dm chord is? Yes, we certainly did. The song “All Eyez on Me” by rapper 2Pac is yet another example of this. The melancholic harmony and the sturdy beat ensure that everything falls perfectly into place in this track.

As far as the chords go, this song is entirely built around a bass line that varies between the Dm and Gm. This makes it fun to experiment with filling in the time between these chords with some plucking. However, the rapping part is a completely different story. You really need to spend a little more time on mastering that skill.

In the Air Tonight

We saved the best for last. This pop classic will never sound the same again after you’ve seen the movie “The Hangover.” Yes, we’re talking about “In the Air Tonight ” by drummer, singer and songwriter Phil Collins. The drum break halfway through the song is epic.

This track is a good moment to borrow your sister’s keyboard. On the guitar the chords Dm, Gm and C sound beautiful, but the song is mainly written for synthesizer. So, if you’re able to experiment on the black and white keys, then this is the moment. Happy jamming!

Even in the darkest hour there is always a sparkle of light – the story behind AC/DC’s historic album Back in Black

What do you do as a band when your frontman dies tragically while you are on the verge of becoming world famous? Back in Black is much more than just a hard rock album. It is the story of the Australian band AC/DC who, in the middle of a mourning period, produce a record that goes down in history as one of the best-selling and hardest rock albums of all time.

The seventh album of the Australian rebels AC/DC Back in Black was released on the 25th of July 1980 and is one of the best-selling records ever. The album is listed in the Guinness Book of Records as the best sold record by a non-American or British band in the United States. The band sold 50 million copies in total, of which 21 million in America. The story behind this record is one of sadness and joy.

Highway to Hell

At the end of the seventies there is a change in the musical field. Hard rock and metal acts such as Iron Maiden, Led Zeppelin, and Black Sabbath no longer dominate the terrain. They lose fans to emerging acts like Foreigner, Journey, and REO Speedwagon. With the beginning of the eighties a new genre is born: adult-oriented rock. It’s much softer, and more poppy than the hardrock which emerged in the seventies.

Between all this turmoil a raw sound comes from down under. AC/DC crashes through America for the first time with their record Highway to Hell. This is their moment. It seems as if the rock ‘n roll oriented hard rockers don’t care about the new trend. The fans share that opinion and the band’s tracks rise quickly in the charts with more and more people screaming: “I’m on a highway to hell!

Bon Scott

During the Highway to Hell-tour, brothers Angus and Malcolm Young–the founders of the band–write a lot of guitar riffs. All these ideas are ready to be worked out in the studio at the moment they are back from the road. In order to maintain the momentum of their last album, they decide not to waste any time and to jump right into the studio in London after the end of the tour.

Frontman Bon Scott is supposed to join the group later on. The planned day of his arrival is 20 February 1980. The evening before, Bon decides to dive into the London pub scene. The night progresses and the singer drinks a lot together with his friends.

When it’s finally time to go home, a buddy takes Bon home. Bon falls asleep in the car and his friend leaves him there. A few hours later the singer suffocates in his own vomit caused by acute alcohol poisoning.

Shock and sadness

Bon’s death is a shock to the band members. Guitarists Angus and Malcolm, together with drummer Phil Rudd and bass guitarist Cliff Williams, are considering quitting the band; their frontman is inimitable, in their eyes there is no AC/DC without him.

Bon Scott’s mother encourages the grieving boys. “You have to go on. Bon wouldn’t have wanted it any other way”, Malcolm recalls in a documentary about the band. And so, a few weeks after Bon Scott’s death, the search for a replacement begins. In the eyes of many fans an impossible task.

Brian Johnson

Angus and Malcolm know right away that they shouldn’t look for someone who would imitate Bon’s act. The new frontman should have his own charm, his own strengths. While the Young brothers are asking around, the management of AC/DC receives a tape from a fan who argues that the former singer of the British glamrock band Geordie, Brian Johnson, is the man for the task.

Car mechanic Johnson is totally caught off guard when he receives the call from his old management. “The woman on the phone didn’t want to tell me which band was asking me to audition,” says Johnson in an interview. “When I insisted, she said that she could only tell me the initials of the band name.” He laughs. “AC/DC. I was stunned, and not only by the stupidity of the woman on the other side of the line.”

Instant connection

When Brian shows up for his audition he meets the AC/DC road crew, but the band is nowhere to be found. He starts joking around with the guys. After a while Angus and Malcolm enter the room anxiously looking for him just to find Brian drinking beer and playing pool with their roadies.

“He was himself from the very beginning,” Malcolm says. “We found him chilling out with our crew. The connection was there right from the start so to say.” But drinking beer and partying was not what the singer came for. Johnson had to prove himself, and so he did. After Brian opened his throat during the audition the band just knew almost instantly that this was the guy they were looking for.

The real deal

After conquering his spot behind the mic the real work was just about to begin. The band moves to a studio in the Bahamas. London has left a bitter aftertaste after Bon’s death. And the climate is also much more pleasant at the new location than in the United Kingdom.

While Malcolm and Angus, together with Phil and Cliff, try to create the right sound in the studio, the new kid on the block Brian is left with the important task of writing kickass lyrics. And he’s struggling. “It’s difficult when you know you have to match someone who not only had a great voice, but who also was a great showman, and on top of all that was a brilliant poet,” says Brian referring to the late Scott.

Rolling Thunder

The singer recalls the moment when a storm appears on the horizon while he is writing in his block note, tearing one page out after the other. With that storm closing in over the ocean Brian feels a bizarre presence. It’s as if Bon Scott himself is visiting his successor.

“It was really a very weird and special experience. That’s all I’m saying about it. Except that at the moment it happened I began writing like a madman. The words just started pouring out of my pen: A rolling thunder, a pouring rain, I’m coming on like a hurricane.” The rest of course is history.

Hells Bell

The bell you hear on the album’s opening track is a story in itself. During the recording of Back in Black Angus and Malcolm decide that they want to have a bell sounding, a la Black Sabbath, for the intro of Hells Bells. When their sound engineer sets out to record the Denison Bell in the Carillon Tower of the Loughborough War Museum, he encounters a problem.

Every time the bell is sounded dozens of pigeons fly away. He cannot get a recording without the fluttering of wings. When it becomes clear that the band wants that particular bell sound at any cost, AC/DC solves the wing-problem once and for all. The band orders John Taylor Bellfounders – the manufacturer of the original Carillon Tower of the Loughborough War Museum – to make an exact replica of the bell.

Special tour

The rock clock, however, gets a bonus; the band’s name and the name of the song are written on its surface. When the moment comes to record the carillon, the manufacturer himself rings the bell. That’s the sound you hear at the beginning of Hells Bells.

Fun fact: on their world tour the band took the 910 kilogram (2000 pounds) heavy carillon on stage. But even after AC/DC returned to the studio, the bell had a world tour of its own. The carillon was exposed in big cities all over the world where people could ring it and take a picture.

Back in Black

From the title to the cover and the songs the record Back in Black is a clear statement for the fans, which welcome both the band and its new frontman back on the stage after suffering a great loss. The album is full of references to the life of Bon Scott. Tracks like Hells Bells, Have a Drink on Me and of course the title track Back in Black with its epic main riff are all dedicated to the life of a friend.

Brian Johnson’s throat, lyrics and personality are certainly not inferior to those of the deceased frontman. And so with this historical album AC/DC proves that even in the darkest moments there is always a sparkle of light. A tiny little flame that, when you dare to believe, can turn into a ball of fire that inspires generations. Happy jamming!

Play along with two brand new Elvis Costello tracks

Finally, after five year the waiting is over. Elvis Costello has reunited with his band The Imposters to enchant his fans once again. He describes the new album Look Now as a quest to find a combination between the sound of Imperial Bedroom (1982) and the emotion of Painted from Memory (1998).

Wise Up Ghost and Other Songs from 2013 was the last album that Costello served up. And it’s been a while since he produced anything new in the studio. The singles of this new record don’t beat around the bush. Under Lime and Unwanted Number are totally different, but also reflect the diversity of the experienced and versatile songwriter. We’ve Chordified both of them, so you can play along.

Unwanted Number

The track Unwanted Number  is written in G# minor. With a laid-back groove the song is like a warm and comfortable ride in the sun. The chords are a bit tricky because of the G# minor key, but we have a way to deal with this. Just place a capo on the first fret and you’ll see that you can recognize most of the chords.

Under Lime

While Unwanted Number is a warm blanket of minor chords, Under Lime is upbeat and jumpy. The track is set in A# and contains a lot of basic chords, like C, Em, F, and G. Try it out yourself and surprise your friends with these brand new Elvis Costello tracks. Happy jamming!

Guitar heavyweight champion Em is chord of the week

You can’t get a lower chord on your six string than the E minor (Em). It’s a heavyweight that demands and deserves attention and it’s an inspiration for musicians in every genre, because it possesses an almost infinite number of possibilities. Below you’ll find five songs that honor the diversity of this triad.

The E minor is part of the Em scale, that consists of the pitches E, F#, G, A, B, C and D. Don’t be afraid, we’re not going to bore you with difficult theories. The pitches serve as a mental note, to show that the songs in Em often contain the chords that derive from the scale they’re in.

Livin’ on a Prayer – Jon Bon Jovi 

Livin’ on a Prayer by the New Jersey band Bon Jovi is a classic from the ’80s. It’s also their first song to hit the Billboard Mainstream Rock chart. The track was released in 1986 on the record Slippery When Wet and to this day it’s one of Bon Jovi’s most famous songs.

Looking at the chord progression we see that the whole song consists of four chords, namely the Em, C, D, and G. There’s an interesting thing happening at the end, where the band transposes the chorus to a G minor chord. That’s why you see the same intervals but played higher. You don’t have to do this in a jam. Stick to the normal progression and it’s likely that nobody will notice. But it never hurts to try.

I’d Rather Be with You – Bootsy Collins 

I’d Rather Be with You by funk legend Bootsy Collins transmits a completely different vibe than Livin’ on a Prayer. The 1976 track is one of the most sampled songs in hip-hop. For example, 2Pac, Eazy-E and even Beyoncé used the song in their tracks.

The funk classic produced by Bootsy Collins and George Clinton is built around an interesting bass line. The foundation of the track is made up of the chords E, Em, A, Am, C, D and G. The transition from minor to major may seem strange, but in funk it’s common to play around with the third, because it adds punch to the groove.

Nights in White Satin – Moody Blues

Well it seems that the chord of the week has turned into a list of classics, so why not throw in another epic song like Nights in White Satin by the British band The Moody Blues. The song appeared on the 1967 album Days of Future Passed and it’s about the silk sheets that front man Justin Hayward got from a friend. The song is radiating unrequited love and desire.

The track is written in Em and the chord is also dominantly present alternating with D, A, C, G and F. In the bridge where the famous fluit solo can be heard we hear a transition to B, Am and B7. In your own jam you could choose to leave this part out.

Losing Your Mind – Raury and Jaden Smith

The song gathered fame as a title on the soundtrack of the Netflix series The Get Down. At first sight Losing Your Mind, written by Raury and Jaden Smith, doesn’t fit in our list of Em classics, or does it? You are right, the version used in The Get Down is a new track, but its inspiration comes from the hit Vitamin C from 1972 which was written by the German krautrock band CAN. Now that’s a classic.

The original chord progression doesn’t differ that much from the remix by Jaden Smith and Raury. We encounter the same trick that Bootsy Collins used, where he switched between thirds. This is not surprising as this track has a funky vibe and the bass line plays a leading role. We could argue that the composition is more about rhythm than about melody. Try it out for yourself.

Nothing Else Matters – Metallica

One of the most famous ballads from the nineties is perhaps Nothing Else Matters by Metallica. The track made so much impact that the band decided to re-release the track in 1999 in collaboration with a classical music orchestra.

The song contains a lot of technical strumming, but can ultimately be reduced to a few basic chords. The verse consists mainly of Em, C, D, G and the chorus of C, D and A. Therefore, this track is a perfect addition to your setlist. If you’re an advanced guitar player, try out some strumming. Otherwise, just stick to the chords. Happy jamming!

Chord of the week – Could there be a cooler triad than the C major?

The chord that you’ll find in almost every evergreen is the C major. This basic triad is an absolute must for any guitar player to master. That’s why the C is our ‘chord of the week’. Check our Instagram for more Chordify frenzy.

Yes nice huh, finally a chord that’s central to the piano’s tonal spectrum, as the E is for the guitar. Where the E forms the basis for the guitar, the C plays a similar role on the black and white keys of your Steinway or Bösendorfer. An octave on a piano does not go from E to E, but from C to C. This is a great opportunity to try Chordify out on a piano if you have the chance.

Skinny Love – Bon Iver

A song that completely embraces the key of C is the track Skinny Love from indie rocker Bon Iver. To simulate his specific sound on your own guitar, you’ll need to tune the instrument to an open C tuning. That means you’ll have to tune the strings from low to high as follows: C, G, E, G, C, C. If you do not want too much hustle and you still want to include this song in your jam set, just play it in the standard E tuning.

The chord progression is not very special. You can quickly see that there are five basic chords and a somewhat unusual triad. The Gsus4 is a barre chord in which the tone G and the tone C appear double in octave form. That is how they reinforce each other. This is no coincidence, because the G is the fifth step in the C scale. The harmony between the root and the fifth is better known as a power chord. In this case it’s a double power chord.

Wind of Change – Scorpions

Scorpions – that we’ve gotten acquainted with in our historical album of the month Tokyo Tapes – wrote a song in C that would later become the anthem of the fall of the Berlin wall in 1989. Wind of Change is not very difficult when it comes to chord progression, but it is certainly not easy either.

The difficulty is the timing and although the chords themselves are not too difficult, you do have to deal with a Dm and an F that follow each other. Since this is not a standard transition, it takes some practice to reposition your fingers in quick succession. Practice makes perfect. The same applies to the whistling part, by the way.

The Middle – Zedd, Maren Morris, Grey

Enough of the old folks’ music! It’s time for a fresh breeze, again from Germany. The Middle by the German producer Zedd in collaboration with singer Maren Morris and the music duo Grey has been in the Billboard charts for months now. Although we are talking about electropop here, the chords in the song are perfect for practicing your basics.

If you want to practice the most important chords of the pop industry at the top of your guitar neck, this is your track. Just check out the progression which takes you from D to G, C, Em, A, Am all the way to the E. All this at a fairly easy pace. See it as jogging on the guitar. It improves your stamina, your strength and your reflexes.

Never be the Same – Camila Cabello

Fun fact: singer Camila Cabello also auditioned for The Middle. After the rejection, Cabello knew she would Never be the Same again. Apart from all the craziness this Billboard-high-scoring-hit, just like the one mentioned above, is an ideal opportunity to practice the basics of chord progression.

Unlike the track by Zedd, here we see a number of chords that also belong to the basics, but are used less often. The Dm and the F, for example. The bridge of the song contains an A#, a Cm and a Gm. With these barre chords it is a matter of practicing strength and suppleness of your fingers in order to play the triad clearly.

Everything Now – Arcade Fire

The idea that everything resembles each other and is not very innovative is reflected in the lyrics of Everything Now by Arcade Fire. Of course this could be seen as justified criticism, but somehow we always know how to produce new-sounding tracks with a few chords. So it’s a bit true and a bit untrue.

This final song is a great exercise for the advanced guitar player to quickly grab easy and trickier chords in a row. The song itself has a laid-back feel and is therefore a fine addition to your jam. It even has a groovy ABBA riff on the piano, so if your piano keys are within reach don’t be afraid to tryout this track. Happy jamming!

Johnny Cash loves it as much as the Prodigy – F sharp is chord of the week

Brace yourself because this week’s chord of the week is the triad F sharp. It has been used by many a hit making machine, from Johnny Cash to the Prodigy. Check it out for yourself below. Curious about more chords of the week? Follow us on Instagram.

Before we give you a list of bangers to play along with, we want you to take a closer look at the fingering of the chord itself. What strikes you? As you can see this chord has the same finger placement as the barre chord F major. If you lower the F figure one fret, the barre disappears and all that remains is an open E major.

Hotel California – Eagles

In other words, this figure always forms a major chord when your guitar is tuned in E. The chord depends on the root tone you fret on the lower E string. So, now that you’ve deciphered another piece of the guitar neck, it’s time to get started on the F sharp. And what better place to start than with this evergreen by The Eagles.

This song consists of all the basic chords and a little bit of challenge. You will find some interesting variations on the F sharp. Look carefully at the F sharp 7 and the F sharp minor. In both cases it’s a matter of lifting just one finger from the basic position of the F sharp chord. The same applies to the B major and the B minor. Check the chords here.

Living Dead Girl – Rob Zombie

Shock-rocker Rob Zombie is a genius in terms of making a standard chord progression sound unique. Living Dead Girl is a good example of this. The track consists of only four chords of which three are basic triads.

The chords are A, G, E and, of course, the F sharp. That’s it. The only somewhat difficult chord is the barre F sharp. Practice a little with the vocals and you can amaze people if you include this song in your standard jam. A good song is not necessarily difficult.

Fire Starter – Prodigy

Have you already mastered Hotel California? If so, congratulations! The next song has almost the same chord progression. Although the Prodigy track Fire Starter is from a completely different genre – and generation – it has a lot in common with The Eagles’ hit.

Here we again see the use of the F sharp and the F sharp minor as well as the B and the B minor. Both minor chords, as you already know, differ only a fret from the major. You have to practice a bit with the timing, but that’s what the weekend is for of course.

Folsom Prison – Johnny Cash

Did we already mention that the biggest outlaw in country music wrote one of his most badass songs in F sharp? Yes, we did. Johnny Cash was known for his black suits, his love for the Indian community and his aversion to authorities. All this is reflected in the song Folsom Prison.

In this song the man in black sings about his imprisonment in Folsom and what led to it. At first glance the chord progression may look a bit impressive with triads like C sharp and C sharp 7. Don’t be deterred and try them out. If it’s a bit too difficult, you can also use the transposition tool and lower the song a fret. Try it and see what happens. Happy jamming!

The biggest gangster among the triads is the G major – chord of the week

There is no bigger G than the G major in the guitar universe. This triad fits in gangster hip-hop as well as in country and pop. That’s why this week we’re presenting the G major as chord of the week. Check out our Instagram for more chords.

When you’re beginning to play guitar one of the first handles you will learn is the G major. This chord, together with the D, C, A and E, makes up the basis of many songs. We’ve put together five tracks for you to jam along to, so you can learn which other fundamental root tones combine best with the G major by playing many songs in this key.

Wish You Were Lord – Pink Floyd

The song Wish You Were Here from Pink Floyd’s 1975 album with the same name is a must in every summer jam. The track is fresh and sounds cheerful at times, yet at the same time it is drenched in melancholy. This is due to the special combination of chords that all fall into the key of G major. Think for example of an E minor seven or an A7sus4. This is a good moment to overcome the fear of these difficult names and to strike the chords themselves. That doesn’t sound too bad now, does it?

Sweet Home Alabama – Lynyrd Skynyrd

For the beginning guitarist Sweet Home Alabama by Lynyrd Skynyrd is a great opportunity to practice the basics. With chords like Em, A, D, G and F you get all the G major standard combinations in one song. For the advanced guitarist the challenge is to play along with the licks. Actually, learning to play Sweet Home Alabama is like killing two birds with one stone. Kid Rock was inspired by this song for his own track All Summer Long. So you kind of learn to play both. Try it.

The Rain Song – Led Zeppelin

As an advanced guitarist you sometimes need a little challenge, but you don’t want to sound too mushy. If that’s the case The Rain Song is the track you’re looking for. If you don’t have any plans for the weekend, just grab the chord scheme and take your time. Pay close attention to the way Jimmy Page subtly blends a G minor into a G minor seven, which then seamlessly flows into a C minor. The trick is to listen carefully and to keep practicing.

Banana Pancakes – Jack Johnson

If you’re going to chill on the beach this summer with your guitar, then this song by surfer boy Jack Johnson is a good addition to your jam. In this track Johnson uses a lot of seven chords. These have a dreamy sound and provide the atmosphere that is so characteristic of the song. Don’t be deterred by an A7, G7 or D7. As you can see here, in a seven chord less is more.

White Iverson – Post Malone

Did we say that the G major lends itself to every genre? You can see that in this track by Post Malone as well. White Iverson is just like Banana Pancakes and Wish You Were Here dreamy and groovy. You would almost expect that this song also consists of seven chords. The opposite is true. The Post Malone track is made up out of relatively standard chords.

Surprise the audience around the campfire with this less obvious song, even though the vocals are a lot harder to master than the accompaniment. Happy jamming!

From Justin Bieber to Metallica anything goes in E major – chord of the week

This week we’re placing the toughest major chord in the spotlight. The E has a powerful, full sound, so you can use it in every genre. From heavy metal to hip-hop, from hip-hop to pop, nothing’s too crazy for the E. 

As you may have seen on Instagram, this week’s chord is the E major. This is a versatile key that plays an important role in both classical and contemporary pop music. It’s actually not very surprising since your guitar is tuned by default in an open E. The diversity of the chord can be found in the list of tracks we have compiled for you.

Love Yourself – Justin Bieber

Pop idol Justin Bieber has always been a hit machine. The song Love Yourself is no exception. The characteristic guitar carries the track from beginning to end. Although this song sounds very simple, it has some nice challenges. It quickly changes chords and there are a few chords that you won’t find in every song. I am talking about the F-sharp minor and the C-sharp minor. Check it out for yourself.

Berlin – Thomas Azier

Speaking of pop idols, Dutchman Thomas Azier, who lives in Paris, is well on his way to conquer the world. The song Berlin of the album Rouge is an ode to his previous base where he wrote his debut album Hellas. In this track he describes the German capital through the eyes of a young artist. The song is written in E and in the chord scheme we see a number of challenging chords, such as the C-sharp, the C-sharp minor and the B.

Under the Bridge – Red Hot Chili Peppers

The men of the Red Hot Chili Peppers now look like an older version of Justin Bieber. It’s hard to imagine that they were ever young, tough and anything but poppy. The raw sound of Under the Bridge from the album Blood, Sugar, Sex, Magik from 1992 kind of reminds us of the good old days. The song has a Hendrix like vibe and chords like E major7, F-sharp minor and G-sharp minor show how diverse the key of E is. This track is a challenge for the advanced guitarist. Try playing along.

Welcome Home (Sanitarium) – Metallica

As already mentioned, the E chord fits into any musical style. It doesn’t sound too cheerful, but it doesn’t sound too sad either. It is melancholic, serious and powerful. Since this is the lowest sounding chord on the guitar, the E lends itself perfectly to dark genres such as metal. Try something new and play along with Metallica’s Welcome Home (Sanitarium). The song is a fun challenge for its divers rhythms and the usage of chords like the B, the B minor and the F-sharp.

Satisfaction – The Rolling Stones

Yes, we already know, you can’t get enough of the E. The Rolling Stones know that feeling all too well. They even wrote a song about it. Satisfaction is one of the most famous songs of the British rock band. If we look at the chord scheme, we quickly see that it consists of the three basic chords E, D and A. In addition, The Rolling Stones use the B7 jazz chord to add a little more color to the track. Try to play along. Happy jamming!